Vocal Training Tips

Many singers struggle when they need not. Many frustrated vocalists think it is their own failings that obstruct their musical path. However, it is possible to sing with a beautiful tone and an expert vibrato even if you are not particularly talented.

Having the right instruction in this regard is paramount. Some of the most well known voice training tips include “lowering your larynx’’, the “lip roll’’ and “interval training’’. These vocal training tips are a good starting point for any novice singers and a fine remedy for any vocalists that have lost their way with technique.

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There are many vocalists who have innate talent that is simply uncultivated. Even these seemingly natural born singers need to be shaped to some degree. Regular singing and technique practice is necessary to become a fantastic singer. Once you learn various tricks of the trade you will be surprised at how quickly your voice will improve.

The main obstacle to most singers entering the field s larynx control. The larynxes, also called the vocal cords are the muscle tissue(s) that vibrates to create sound. The function of the outer larynx is to swallow food and as a result forces your larynx upwards.

It is possible to gain a measure of control over these muscles and when you do not only will your tone improve but also the tension, when singing that is apparent to most novices will be gone. The technique to accomplish this, “lowering your larynx’’, is done by placing your index finger in the ridge at the top of your Adam’s apple and saying the word “drum’’ in a sustained fashion.

singoramaNow, try to sing an entire song with your finger holding your larynx in position. You should be able to feel the muscles of your larynx trying to move around and with a small amount of practice will begin to control those muscles that you are now noticing.Saying the word “drum’’ with your finger in this position should shift your larynx up and down. Therefore, being a lesser example of singing the entire song.

The “lip roll’’, focuses not so much on the larynx but more on warming up the muscles of the throat. Benefits of the “lip roll’’ vary from increasing vocal range to the improvement of tone quality. To perform the “lip roll’’ place one hand on each cheek.

Now move each hand slightly sideways, so if you push inwards, you can feel where your teeth meet. Now blow through your mouth as if “blowing a raspberry“ with uncontrolled lips. In addition to this murmur long sustained tones of the five vowels and repeat this process.

You’ll start to find which vowels are more troublesome than others. Knowing this is a large advantage when you start singing entire songs.  The `lip roll’’ also has many off shoot exercises, most of which are concerned with enunciation.

“Interval training’’ is mainly concerned with is what is heard aurally. In reference to singing “interval training’’ is used to familiarize the singer with note leaps within given scales.

For example, in a C major scale where c is the first note and g is the fifth, the vocalists will train themselves to understand the pitch interval of these two notes. Singers that are taught “interval training’’ are extensively tested on their aural capabilities and this aides their melodic knowledge.

Many students who excel in their knowledge of pitch intervals go on to composition because of their familiarity with different scale systems. In this way “interval training“ also serves as an efficient tool to blend the practice and the theory of music.

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