How to Sing Better
Like all musical pursuits improving in the field of singing is about constantly challenging yourself. It’s no use doing the same comfortable exercises over and over if they don’t seem difficult they are certainly of little value.
The real secret in avoiding plateaus on your singing journey is to constantly bombard yourself with more challenging technique exercises and immerse yourself in a wide variety of genres. The larger the field of music you draw from to study the more comprehensive your identity, as a singer will become.
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Be wary of your own snobbery and remember not to simply choose music that affirms to your personal tastes. This is to widen your horizons. Singing with accompaniment or seeking out like-minded musicians is also an absolute necessity, not only to give you performance experience but also the crucial skill of fitting in to a music group rhythmically.
At the end of the day practice, resourcefulness and natural ability will be the three factors that determine the singer you are going to be.
As you begin to learn singing your voice exercises should comprise of scale exercises (in simple keys such as c, g and d), warm up exercises and basic techniques such as tremolo and arpeggios.
By this time you have an idea of some songs that you would like to sing. In the case that you have a tutor, this is easily submitted and worked on over a number of lessons. In cases in which the singer is self-taught they should divide the song up into smaller sections and spend a time on each section.
At an intermediate level you should be beginning a design to challenge yourself. The initial way to do this is experiment with different key signatures, no longer restricting yourself to c, g and d and in zealots’ mid-song key changes.
Having practiced techniques such as tremolo, staccato and arpeggio, at an intermediate level you will start to experiment with vibrato and refine that sound within the context of your study.
In your beginners period, as your teacher segmented a song for teaching, now you should be able to organize a song and it’s performance yourself. Improvization at the intermediate level connects many learned skills and puts them in context, for example the ways in which various scales work together as with a g scale and an E minor scale.
It is worthwhile for every singer to expand the music that they listen to. Every individual has personal musical tastes but as a singer you are the perennial student. A fan of jazz that avoids disco music has nothing to lose.
A student of singing however has everything to gain. Every style of music from flamenco to popular, classical to country has something to be learnt from it. You must look at music with a worldview. It is hard to deny that many of the world’s most popular singers were pioneers of music fusion.
From an early stage a rhythmic understanding is absolutely necessary. There is no use being an exceptional singer if you do not keep in time to the music. Many singers choose to buy devices such as metronomes when they are beginners to ingrain the time signature of the given piece of music into their mind.
Although this is not crucial learning with some kind of meter will always serve you better. Rhythmically as your singing career progresses it will only get more complicated so it is beneficial to have a solid grounding.